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BLAKE'S CHAUCER, THE CANTERBURY PILGRIMS.
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THE FRESCO PICTURE,
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Representing Chaucer's Characters painted by
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WILLIAM BLAKE,
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As it is now submitted to the Public,
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The Designer proposes to Engrave, in a correct and finished
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Line manner of Engraving, similar to those original Copper Plates
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of Albert Durer, Lucas, Hisben, Aldegrave and the old original
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Engravers, who were great Masters in Painting and Designing,
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whose method, alone, can delineate Character as it is in this
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Picture, where all the Lineaments are distinct.
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It is hoped that the Painter will be allowed by the Public
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(notwithstanding artfully dissemminated insinuations to the
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contrary) to be better able than any other to keep his own
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Characters and Expressions; having had sufficient evidence in the
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Works of our own Hogarth, that no other Artist can reach the
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original Spirit so well as the Painter himself, especially as Mr.
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B. is an old well-known and acknowledged Engraver.
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The size of the Engraving will be 3-feet 1-inch long, by
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1-foot high.--The Artist engages to deliver it, finished, in One
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Year from September next.--No Work of Art, can take longer than a
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Year: it
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may be worked backwards and forwards without end, and last a
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Man's whole Life; but he will, at length, only be forced to bring
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it back to what it was, and it will be worse than it was at the
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end of the first Twelve Months. The Value of this Artist's Year
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is the Criterion of Society: and as it is valued, so does Society
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flourish or decay.
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The Price to Subscribers--Four Guineas, Two to be paid at
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the time of Subscribing, the other Two, on delivery of the Print.
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Subscriptions received at No. 28, Corner of Broad-street,
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Golden Square; where the Picture is now Exhibiting, among other
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Works, by the same Artist.
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The Price will be considerably raised to Non-subscribers.
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May 15th, 1809.
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Printed by Watts & Bridgewater, Southmolton-Street.
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[Second Prospectus, Composite Draft] t1455
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BLAKE'S CHAUCER
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An Original Engraving by [William Blake] <him> from
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his Fresco Painting of [Chaucers Canterbury Pilgrims]
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[Mr B having from early Youth cultivated the two Arts
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Painting & Engraving & during a Period of Forty Years never
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suspended his Labours on Copper for a single Day Submits with
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Confidence to Public Patronage & requests the attention of the
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Amateur in a Large Stroke Engraving] 3 feet 1 inch long
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by one foot high <Price Three Guineas>
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[Containing Thirty original high finishd whole Length,
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Portraits on Horseback Of Chaucers Characters, where every
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Character & every Expression, every Lineament of Head Hand &
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Foot. every particular of Dress or Costume. where every Horse is
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appropriate to his Rider & the Scene or Landscape with its
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Villages Cottages Churches & the Inn in Southwark is minutely
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labourd not by the hands of Journeymen but by the Original Artist
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himself even to the Stuffs & Embroidery of the Garments. the hair
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upon the Horses the Leaves upon the Trees. & the Stones & Gravel
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upon the road; the Great Strength of Colouring & depth of work
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peculiar to Mr B's Prints will be here found accompanied by a
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Precision not to be seen but in the work of an Original
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Artist]
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Sir Jeffery Chaucer & the nine & twenty
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Pilgrims on their journey to Canterbury
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The time chosen is early morning before Sunrise. when the
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jolly Company are just quitting the Tabarde Inn. The Knight &.
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Squire with the Squires Yeoman lead the Procession: then the
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Youthful Abbess her Nun & three Priests. her Greyhounds attend
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her.
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"Of small Hounds had she that she fed
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With roast flesh milk & wastel bread"
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Next follow the Friar & Monk. then the Tapiser the Pardoner.
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the Sompnour & the Manciple.
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After these "Our Host" who occupies the Center of the Cavalcade
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[(the Fun afterwards exhibited on the road may he seen
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depicted in his jolly face)] directs them to the Knight
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[(whose solemn Gallantry no less fixes attention)] as
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the person who will be likely to commense their Task of each
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telling a Tale in their order. After the Host, follow, the
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Shipman, the Haberdasher, the Dyer, the Franklin, the Physician
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the Plowman, the Lawyer, the [Poor] Parson, the
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Merchant, the Wife of Bath the Cook. the Oxford Scholar. Chaucer
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himself & the Reeve comes as Chaucer has described
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"And ever he rode hinderest of the rout"
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These last are issuing from the Gateway of the Inn the Cook
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& Wife of Bath are both taking their mornings draught of
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comfort. Spectators stand at the Gateway of the Inn & are
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composed of an old man a woman & children
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<The Inn is yet extant under the name of the Talbot; and
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the Landlord, Robert Bristow, Esq. of Broxmore near Rumsey, has
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continued a Board over the Gateway, inscribed, "This is the Inn
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from which Sir Jeffery Chaucer and his Pilgrims set out for
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Canterbury."
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St. Thomas's Hospital which is situated near to it, is one
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of the most amiable features of the Christian Church; it belonged
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to the Monastery [o]f St. Mary Overies and was dedicated to
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Thomas a Becket. The Pilgrims, if sick or lame, on their journey
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to and from his Shrine, were received at this House. Even at
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this day every friendless wretch who wants the succour of it, is
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considered as a Pilgrim travelling through this Journey of Life.>
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The Landscape is an Eastward view of the Country from the
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Tabarde Inn in Southwark as it may be supposed to have appeard in
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Chaucers time. interspersed with Cottages & Villages, the first
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beams of the Sun, are seen above the Horizon. some buildings &
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spires indicate the situation of the Great City. The Inn is a
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Gothic Building which Thynne in his Glossary says was the Lodging
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of the Abbot of Hyde by Winchester. On the Inn is inscribed its
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title & a proper advantage is taken of this circumstance to
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describe the Subject of the Picture. the Words written in Gothic
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Letters over the Gateway are as follow "The Tabarde Inne by Henry
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Bailly the Lodgynge House for Pilgrims who Journey to Saint
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Thomass Shrine at Canterbury."
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[The Characters of Chaucers Pilgrims are the Characters
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that compose all Ages & Nations, as one Age falls another rises.
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different to Mortal Sight but to Immortals only the same, for we
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see the same Characters repeated again & again in Animals in
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Vegetables in Minerals & in Men. Nothing new occurs in Identical
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Existence . . Accident ever varies Substance can never suffer
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change nor decay]
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<Of Chaucer's Characters as described in his Canterbury
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Tales, some of the Names are altered by Time, but the Characters
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themselves for ever remain unaltered [a]nd consequently they are
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the Physiognomies or L[i]neaments of Universal Human Life beyond
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which Nature never steps. The Painter has consequently varied
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the heads and forms of his Personages into all Nature's
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varieties; the Horses he has varied to accord to their riders,
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the Costume is correct according to authentic Monuments.
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Subscriptions received at No. 28, Corner of Broad Street,
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Golden Square.
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G. Smeeton, Printer, 17, St. Martin's Lane, London.>